The sun has been up for several candlemarks, but in the little shack where Ka'Ri lives with her family the light isn't much brighter than it would be in the dead of night. Such is life in the city slums: with the city wall towering above them, and identical shacks pressing in on every side, there's little in the way of natural light to let in until high noon when even the walls can't keep out Pelor's brilliance.
Light isn't necessary for her to start her day, of course; the tiny shack is small enough--and she's been land-locked far long enough--to know the layout by heart. She's able to move about, prepare meals for herself and the ill ones, roll up her bedroll and stash it out of the way, and go about the rest of her morning rituals as she plans out her day and tries to worry the exact right amount (not too much, not too little) about where money will come from today. But it's hard to be deprived of the sun. Almost as hard as the loss of the moon and the stars and the sea breezes on the open sea.
She's checking on the sleepers again--still ill, but not yet in the final terminal coma stage, thank the gods--when she hears a soft knock at the door. It's the special little triple-knock that Qiao always uses when he comes to visit her.